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(From left) Edward Berger accepts a Directors Guild of America Feature Film Medallion for "Conclave" from Ralph Fiennes onstage during the 77th Annual Directors Guild of America Awards at The Beverly Hilton on February 08, 2025 in Beverly Hills, California. --AFP photos
(From left) Edward Berger accepts a Directors Guild of America Feature Film Medallion for "Conclave" from Ralph Fiennes onstage during the 77th Annual Directors Guild of America Awards at The Beverly Hilton on February 08, 2025 in Beverly Hills, California. --AFP photos

‘Conclave’ and ‘Brutalist’ share BAFTA honors

Papal thriller “Conclave” and immigrant epic “The Brutalist” on Sunday tied for top honors at Britain’s BAFTA awards with each film picking up four coveted gongs. “Conclave”, directed by German-born Edward Berger, won the BAFTA for the best film with its tale of the intrigue and horse-trading behind the scenes during the election of a new pope. Accepting the award, Berger recalled the journey to make the film took seven years, paying tribute to British screenplay writer Peter Straughan’s “wonderful script” and lead actor Ralph Fiennes.

US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist”, while leading man Adrien Brody scooped up the best actor gong for his portrayal of a Hungarian Holocaust survivor and architect who emigrates to the United States. Brody told a winners press conference that the film was “an opportunity for me to honor my own ancestral struggles”. In “a film that speaks to tremendous cruelty and despicable behavior in our past... we see elements existing today that can guide us and remind us of that,” he added.

Veteran British actor Fiennes, who played a cardinal in “Conclave”, once again saw his hopes of winning a BAFTA gong dashed, losing out to Brody in the race for the honor. Scandal-hit “Emilia Perez”, a surreal musical about a Mexican druglord who transitions to a woman, had been heavily favored at the beginning of the year. But it ended the evening with just two BAFTAs, including one for Zoe Saldana for best supporting actress. Until last month, French director Jacques Audiard’s movie had been expected to be a frontrunner having won 11 nominations.

But old racist and Islamophobic tweets by lead actor Karla Sofia Gascon surfaced at the end of January, shaking up the race just before the London ceremony and the Oscars on March 2. A surprise of the night was the BAFTA for best actress which went to 25-year-old Mikey Madison for her portrayal of a sex worker in the black comedy “Anora” about an erotic dancer’s whirlwind romance gone wrong. Madison, who beat out frontrunner Demi Moore, told reporters she wanted to dedicate the award to “the sex worker community, I see you, you deserve respect and human dignity”.

Glitzy evening

Although they can often set the tone for the Oscars, the BAFTAs -- the biggest night of the year for the British film industry -- regularly diverge from the films favored by the Academy Awards in Los Angeles. “Emilia Perez” director Audiard, in accepting the BAFTA for best film not in the English language, thanked all his stars, including “dear” Gascon who did not attend the ceremony amid the scandal surrounding her past tweets.

Moore, Timothee Chalamet and Ariana Grande were also at the glitzy evening hosted by “Doctor Who” and “Good Omens” star David Tennant, but all left empty-handed. Best supporting actor went to “Succession” star Kieran Culkin for his role in “A Real Pain” about Jewish American cousins who tour Poland in honor of their grandmother. The film also garnered the best original screenplay for Jesse Eisenberg. Saldana, who won a Golden Globe last month for her role as the sassy lawyer in “Emilia Perez”, said she was dedicating her BAFTA award to her trans nephew. “They are the reason I signed to do the film in the first place”, she said.

“Conclave” also picked up awards for outstanding British film, editing and best adapted screenplay, while “The Brutalist” took awards for cinematography and original score. “Wicked” picked up two BAFTAs for costume and production design, while Rich Peppiatt who wrote “Kneecap”, a docu-drama about an audacious trio of Northern Irish rappers, won for an outstanding debut by a British writer. “Dune: Part Two” won BAFTAs for both special visual effects and best sound.

To huge cheers from the audience, “Wallace and Gromit: Vengeance Most Fowl” picked up two BAFTAs for best animated feature and best Children’s and Family Film. France’s Coralie Fargeat was the only woman nominated in the directing category, for “The Substance”, which in the end picked up just one BAFTA for hair and make-up. - AFP

BEST FILM

Conclave

OUTSTANDING BRITISH FILM

Conclave

BEST DIRECTOR

Brady Corbert, The Brutalist

BEST LEADING ACTRESS

Mikey Madison, Anora

BEST LEADING ACTOR

Adrien Brody, The Brutalist

BEST SUPPORTING ACTRESS

Zoe Saldaña, Emilia Pérez

BEST SUPPORTING ACTOR

Kieran Culkin, A Real Pain

BEST OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

Kneecap, Rich Peppiatt

BEST FILM NOT IN THE ENGLISH LANGUAGE

Emilia Pérez

BEST DOCUMENTARY

Super/Man: The Christopher Reeve Story

BEST ANIMATED FILM

Wallace & Gromit: Vengeance Most Fowl

BEST ORIGINAL SCREENPLAY

A Real Pain

BEST ADAPTED SCREENPLAY

Conclave

BEST ORIGINAL SCORE

The Brutalist

BEST CASTING

Anora

BEST CINEMATOGRAPHY

The Brutalist

BEST EDITING

Conclave

BEST PRODUCTION DESIGN

Wicked

BEST COSTUME DESIGN

Wicked

BEST MAKE UP & HAIR

The Substance

BEST SOUND

Dune: Part Two

BEST SPECIAL VISUAL EFFECTS

Dune: Part Two

BRITISH SHORT ANIMATION

Wander to Wonder

BRITISH SHORT FILM

Rock, Paper, Scissors

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA

Wallace and Gromit: Vengeance Most Fowl

EE RISING STAR AWARD

(voted for by the public)

David Jonsson

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