In the vibrant streets of Kuwait, Mohammed Al-Eidani, better known as ‘Doss’, brings walls to life with his unique blend of street art and movement. A hybrid creative force, Doss channels the spirit of hip-hop culture and Kuwait’s urban landscape into his work, transforming ordinary spaces into powerful visual statements. In his interview with Kuwait Times, Doss shares his journey, the challenges of street art, and the inspiration behind his evolving artistry.

Kuwait Times: What initially drew you to graffiti, and how did your journey as a street artist begin?

Mohammed Al-Eidani: My passion for hip-hop culture and the desire to express myself creatively drew me to graffiti. I started experimenting with it in 2018, but it wasn’t until 2020 that I decided to take it seriously.

KT: How does the urban landscape of Kuwait inspire your graffiti work?

Al-Eidani: Kuwait’s urban landscape acts as a dynamic canvas for my graffiti. The blend of modern architecture and traditional elements inspires me to create pieces that reflect what I’m feeling or what I want to say.

KT: In what ways do you incorporate Kuwaiti culture or heritage into your art?

Al-Eidani: I incorporate Kuwaiti culture and heritage into my art by using traditional motifs, colors, and themes, blending these elements with contemporary styles.

KT: Graffiti is sometimes viewed as controversial. How do you navigate the boundaries between art, expression, and legality?

Al-Eidani: Navigating those boundaries involves respecting legal spaces while still pursuing artistic expression. I focus on commissioned projects and murals that engage with the community.

KT: What is your most memorable piece?

Al-Eidani: My most memorable piece is titled ‘No Bad Newz Today’ on the Kuwait Times printing press door.

KT: What messages or themes do you often aim to convey through your graffiti?

Al-Eidani: I often use characters and quotes to uplift the community, drawing from shared experiences to inspire others.

KT: How do you feel the perception of graffiti has changed in Kuwait over the years?

Al-Eidani: The perception of graffiti in Kuwait has evolved significantly. It’s now increasingly recognized as a legitimate art form that enhances urban spaces.

KT: You work with a unique medium in public spaces—what challenges and opportunities does that present?

Al-Eidani: Working in public spaces presents both challenges and opportunities, but I see it as a unique canvas that allows me to connect with a broader audience.

KT: Are there any local or international graffiti artists who have influenced your style?

Al-Eidani: Yes, many artists have influenced my style, including Greg Simkins, Jamie Hewlett, Mister Cartoon, Kim Jung Gi, and Yousef Al-Bagshi, among others.

KT: Do you collaborate with other artists or communities in your projects? If so, how do these collaborations shape your work?

Al-Eidani: Yes, I’ve collaborated with many incredible artists both locally and internationally, such as Ayyoub, Nawaf, Superflinda, and Ayfu. These collaborations have significantly shaped my techniques and creativity. Working with diverse talents has broadened my artistic perspective and enriched my work.

KT: What role do you think graffiti plays in the broader Kuwaiti art scene?

Al-Eidani: Graffiti plays a growing role in Kuwait’s art scene, offering a modern, youthful form of expression that contrasts with traditional art. It serves as a platform for social commentary, especially among younger generations.

KT: What advice would you give to aspiring graffiti artists who want to make their mark?

Al-Eidani: “One day or day one—you decide.”