When the first bombs rang out in Sudan, Amjad, Fatima and Mazin abandoned their paintbrushes, musical instruments and studios, leaving behind the lives they knew for unfamiliar shores. Now in Egypt, they have sought to bring back the sights and sounds of a long-lost home to an audience of about a hundred, just a stone’s throw away from Cairo’s iconic Tahrir Square. Mazin Hamid, a celebrity in his native Khartoum, thrilled the crowd with his homegrown beats at a concert accompanying an exhibition.

When war broke out in his home country last April, Hamid was under a tight deadline to produce the soundtrack for “Goodbye Julia”, the first-ever Sudanese film to be screened and awarded at Cannes. Having already experienced a revolution, a coup and a brutal crackdown on pro-democracy activists in just four years, the 31-year-old producer just locked the door to his studio and kept working.

“In the soundproof walls of the studio” he could only hear the occasional sound of scattered gunshots, Hamid told AFP in Cairo. But when the sound of fighter jets burst through the walls, “I understood things were serious.” The hours of fighting turned into days and months, and the war between the army and the paramilitary Rapid Support Forces would come to grip much of the already impoverished country, with no signs of abating.

The most reliable toll—over 13,000 dead according to the Armed Conflict Location and Event Data Project—is a conservative estimate at best. In the western region of Darfur, the United Nations and international lawyers have warned another wave of ethnic cleansing is taking hold. With millions displaced, disease outbreaks across the country and a stillborn agricultural season, Sudan has been brought to its knees.

Like more than a million others, Hamid knew he had to leave. He fled, leaving behind “his instruments and equipment, so as not to attract attention at the checkpoints” set up by soldiers and paramilitary fighters across the city.

Sudanese photographer Hashim Nasr points at one of his pictures during an exhibition concert at the Goethe institute in the Egyptian capital Cairo.

Sudanese guitarist Elzain Ali performs during a concert at the Goethe institute in the Egyptian capital Cairo.

Sudanese singer Mazin Hamid (center) performs during a concert at the Goethe institute.

Visitors look at images displayed during an exhibition organised by Sudanese artists at the Goethe institute.

Sudanese visual artist Fatima Ismail looks at one of her creations during an exhibition organised by Sudanese artists at the Goethe institute.

‘From scratch’

At first, Fatima Ismail holed herself up in her apartment, “in silence for fear of the paramilitaries posted downstairs,” she told AFP in Cairo, where artworks depicting her life in exile were on display. From the first days of the war, stories spread of horrific sexual violence committed by RSF fighters.

“If they had known there were young women in the apartment, it would have been terrible,” the 26-year-old said. She eventually managed to escape, pulling her family onto the first minibus they found, speeding through neighborhoods in ruins.

Before she left, she sketched every inch of their lives in the apartment—“my mother cooking”, “my father reading the Koran”, the everyday memories gone forever. Now safe in Cairo, she works through her sketches, processing the war through her art after having to relaunch her practice from scratch.

“I had to leave without any of my equipment... God and drawing saved me,” she said, surrounded by her artwork as music by fellow artists played around her. Among them was Amjad Badr, 28, who also left his instruments and studio behind in Sudan. “I’m playing with a guitar a friend lent me,” he told AFP at the gathering in Cairo.

‘We will return’

After a long journey to Egypt and “11 days spent sleeping”, Badr found his way back to music. “It was extremely important for me to express everything I had been through,” he said. That sentiment is prevalent among Sudanese “artists in Cairo, but also in Nairobi or in Ethiopia,” Badr added, referring to some of the destinations where over 1.5 million people have fled.

Over 400,000 have come to Egypt, according to the United Nations. Also at the exhibition in Cairo, Hashim Nasr presented stylized photos representing his family—its missing members, the impact of death and exile, but also of rebirth. The 33-year-old former dentist made a new home in the coastal city of Alexandria, where he took up photography again.

But there, Nasr told AFP, he “doesn’t know anyone”. Without models, he took to photographing his own family. Far from home and all too aware of the carnage they left behind, the musician Badr said it’s hard to find “motivation or inspiration”. But “we will return”, he vowed, as though reassuring himself. “The music scene was really starting to take off before the war, so soon we’ll be back, and even stronger.” — AFP