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British screenwriter Jesse Armstrong speaks as the cast and crew of "Succession" accept the award for Outstanding Drama Series onstage during the 75th Emmy Awards at the Peacock Theatre at LA Live in Los Angeles.—AFP photos
British screenwriter Jesse Armstrong speaks as the cast and crew of "Succession" accept the award for Outstanding Drama Series onstage during the 75th Emmy Awards at the Peacock Theatre at LA Live in Los Angeles.—AFP photos

'Succession,' 'The Bear,' 'Beef' dominate strike-delayed Emmys

The final season of “Succession” dominated the Emmy Awards on Monday, scooping six prizes including best drama, at a nostalgic gala honoring television’s past and present that was delayed by four months due to Hollywood strikes. The HBO show about the back-stabbing dynastic battles of a powerful media family won awards for stars Kieran Culkin, Sarah Snook and Matthew Macfadyen, while “The Bear” topped the comedy awards and “Beef” led in the limited series section.

“This is a show about family, but it’s also about when... partisan news coverage gets intertwined with divisive right-wing politics,” said “Succession” creator Jesse Armstrong. “After four seasons of satire, as I understand it, that’s a problem we have now fixed,” he joked, on the night that Donald Trump won the Iowa Republican caucuses.

Accepting their best actress and actor prizes, both Snook—who was pregnant during the show’s final season—and Culkin paid tribute to their babies, with Culkin joking to his wife, “I want more... you said maybe, if I win!” “Succession,” which had already won best drama series twice previously, had entered the night with a whopping 27 nominations, including a record three of the six nominees for best actor. It also won for best writing and directing.

Jennifer Coolidge, the sole returning star for the Sicily-set second season of satire “The White Lotus,” won for best supporting actress. Coolidge thanked “all the evil gays,” in a nod to her character’s memorable storyline in which she befriended a flamboyant, yacht-owning group of men with sinister intentions.

The Emmys, which are the small screen’s equivalent of the Oscars, typically take place in September. But organizers opted for an unusual January slot this time around, correctly gambling that the entertainment industry strikes would be over, and that actors would be free to attend. Stars and guests from Harrison Ford to Joan Collins walked the red carpet into the Peacock Theatre at LA Live in downtown Los Angeles for the ceremony.

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